Voici quelque sites que j'ai répertorié pour vous tous amis forumeurs et amies forumeuses, liste a compléter bien sur
Easternblocsongs une vraie mine d'information
https://easternblocsongs.wordpress.com/
Avec des galeries de Lp's et de 45 tours impressionnantes
https://easternblocsongs.wordpress.com/lp-gallery/
https://easternblocsongs.wordpress.com/45s-gallery/
Sur All music extraits de la compilation Velvet Revolutions, Vol. 2: Psychedelic Rock from the Eastern Bloc 1969-1973 et de celle Eastern Bloc Funk Experience
http://www.allmusic.com/album/velvet-revolutions-vol-2-psychedelic-rock-from-the-eastern-bloc-1969-1973-mw0002541696
http://www.allmusic.com/album/eastern-bloc-funk-experience-mw0002300843
Red Waves: 1980-87 Eastern European Avant-Punk & Synthpop Rarities
https://rateyourmusic.com/release/comp/various_artists_f2/red_waves__1980_87_eastern_european_avant_punk_and_synthpop_rarities/
Histoire du rock en Hongrie c'est également un label qui a sortie pas mal de bonnes rééditions
http://moiras.somoskiado.hu/
How Rock 'n' Roll Conquered Communist Censorship
http://culture.pl/en/article/how-rock-n ... censorship
YUGOSLAVIAN R'N'R UNDERGROUND
http://members.iinet.net.au/~predrag/yugo.html?COLLCC=2578836267&
Un bouquin a lire
n February 1987, Mikhail and Raisa Gorbachev personally received Yoko Ono in Moscow. In a surprising revelation, Raisa declared that she and her husband were fans of John Lennon. While Raisa sang lyrics from a Lennon song, the Soviet leader observed solemnly, "John should have been here." It was a stunning declaration. After three decades of virulent anti-rock rhetoric, a Soviet leader had allied himself with the forces of rock & roll. In the era of glasnost and perestroika, rock & roll has provided, in a very real sense, the soundtrack to the Gorbachev revolution. This stunning policy shift has fueled the already burgeoning Soviet rock scene and has commanded intense media attention in the West.
But as Timothy W. Ryback demonstrates in this lively and revealing book, Western music, particularly rock & roll, is not new to the Soviet bloc. Indeed, as Mr. Ryback shows, rock music has effected one of the most significant transformations ever in Soviet bloc society. He traces the emergence of rock culture in Eastern Europe and the Soviet Union from 1954 to the present day, where it has become unquestionably the most pervasive form of mass cultural activity in Communist society. Charting this process, Rock Around the Bloc looks at both sides of the thirty-year war between rock fans and Soviet bloc governments. It takes the reader into the Kremlin for special Central Committee meetings devoted to the "evil" of rock music; into the streets of beleaguered 1968 Prague and 1981 Poland where rock bands and their fans helped spearhead social and political reforms; and into the bedrooms of young people secretly tuning into rock broadcasts from the BBC and Radio Free Europe.
The reader comes to realize that in some ways, life in the Soviet bloc was surprisingly similar to life in the West. There was the Elvis craze in the late 1950s, Beatlemania in 1964, and the disturbing appearance of punks and skinheads on urban streets in the early 1980s. At the same time, these similarities make the differences all the more striking. Prague's mid-1960s drug cult relied on analgesics mixed with alcohol to ape western drugs. In 1969 young Moscow musicians seeking to convert their acoustic guitars into electric ones dismantled every public phone in Moscow to pilfer the electronic parts. And Dean Reed, an expatriate American who became a genuine Soviet bloc superstar selling millions of records, died mysteriously shortly after expressing his desire to return to the United States.
Informed throughout by a deep knowledge and love for the music as well as an understanding of the Soviet bloc's political and social realities, Rock Around the Bloc tells a fascinating story on many levels: the liberalization of communist society, the traumas and triumphs of Soviet bloc youth culture, the spread of rock's influence in unlikely places, and the surprisingly rich variety of rock & roll in Eastern Europe that keeps its kinship to western music while forging a unique identity all its own. Engagingly written and full of compelling detail, Ryback's definitive account will delight all rock fans and will fascinate people interested in the Soviet Union, Eastern Europe, and modern social history.
